This business address is private; the map is showing an approximate location.
- Provider travels up to 50 miles
We offer a wide array of woodworking services ranging from simple, affordable utilitarian units to the most elaborate, detailed woodwork being done in the US today.
We are capable of designing, fabricating and installing work in any style, any situation.
We can also accommodate trim work (interior/exterior), furniture making and all forms of carving.
Jim Evans has over 30 years experience in cabinetry, all levels of carpentry and is also a European-trained master carver and gilder.
Excellent references available.
Prefer to work in the Washington DC metropolitan area but can travel.
All rates are competitive and negotiable.
A. These days nothing is common anymore; my work consists of simple, basic cabinetry and trim work ranging up to detailed carved projects. In the past year I have done handrails and carved chessboards, fabricated and installed entry doors along with several paneled rooms. there is no pattern to what comes up.
A. Be thorough in vetting me and everyone alse that they contact. I suggest getting a number of bids and advise them to go see previous work in person if possible. Then follow up with phone references.
A. I would probably want to know a lot, have similar questions, etc. But I must confess that I generally don't like to share "secrets". That's my old world training showing; we like to keep a certain amount of mystique about what we do.
A. They can't have too much information. A person who provides me with an intelligently organized array of ideas and hard figures like dimensions, etc is showing me that they are committed to the venture. It also demonstrates respect for my time and shows they have an understanding about some of the aspects of what such an undertaking may involve.
A. I have a very broad foundation of formal training that includes several formal apprenticeships. That combined with my natural inclination to focus on detail gives my work a finished quality that stands out from the crowd.
A. The biggest pleasure for me is being able to design and execute work that pleases me and my clients. I must confess that I do enjoy praise - it's a great motivator!
A. How did I learn to do this? Where did I learn to carve, build cabinets, etc. I tell them that I invested a lot of time - years - in training under masters of these trades and arts. I tell them that getting to where I am took a lot of patience.
A. Ironically, one of my favorite stories concerns a job that never materialized; a private charity from London asked me to bid on a unique carving job that involved replicating an ornate carved 16th century chair that currently belongs to the Folger Shakespeare Library. Had the work come to fruition I would have presented the finished chair in London to the co-chair of the trust, the actress Haley Mills who I was infatuated with as a child. Alas, they never raised the necessary funds for the job.
A. That's easy - I wish they knew how difficult even the "easiest" jobs are, how grueling and back breaking this work can be and how much mental and physical effort it often takes to stay focused to the degree necessary to produce high quality work.
A. I always loved working with my hands. I always knew I would be an artist of some sort; working with wood seemed more profitable and rewarding than painting, etc. It also allowed me to make a relatively comfortable income when I was younger and when I lived in different parts of the world. It's a versatile proffession.
A. That would have to be a very simple built-in bookcase I made for a friend of a friend recently. It was simple in the extreme but had to be installed in a near impossible environment - an upper floor condo in Washington DC. with a winding staircase. It was a back breaking nightmare getting it in but the end result along with the customer's satisfaction made it worthwhile.
A. I have taken occasional workshops over the years if they are relevant to areas of my work and if they are taught by masters who I feel have something to offer. I also read voraciously and have a large library devoted to all aspects of the woodworking trades and arts.
A. I am aware of new developements all the time but I generally have little interest in them anymore. Much of what is "new" regarding technique is often focused on saving time - a laudable motive in itself but one that usually results in some sacrifice in quality. I am pretty much devoted to the more tradtional aspects of the trades.
A. This is a bit painful: this is a job still in progress for a very nice client who didn't have a lot of money to spend. I took the job for about 50% less than my usual rate and have been paying for it every day; it seems that these jobs are always the ones where you make huge, costly mistakes and where the breaks just never go your way.
A. That would be impossible. My work varies so much with regard to style, material, size etc that I could not possibly employ a sophisticated estimating protocol. I simply do it the old fashioned way: I estimate materials and waste, laboriously calculate time and potential problems, distance to a job, etc.
A. In all seriousness I wouldn't suggest it. If someone was serious though, I would suggest an approach similar to mine - seek out a competent master, seek out reputable sources of instruction (schools, apprenticeship programs), obtain a solid education in managing a small business and train oneself to develope endless patience.
A. These days the woodworking proffession has been hard hit by the economy. How do you envision this career winding down, how do you plan to retire?
Answer: 17 years ago I met a beautiful, rich woman. Need I say more?