Another Fine Mess Band
Another Fine Mess Band

Another Fine Mess Band

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Introduction: Another Fine Mess strives to project the vibe of a classic Arena Rock show from the greatest era of live music, scaled to fit whatever venue we might be in, both size and sound wise. We also try not do the same 40-50 songs that get played over and over at most live gigs. That said, we do popular music that people will recognize at once, and we especially like the "wow" factor of playing some great songs that most bands do not play for whatever reason. Like anything worthwhile, you get back what you put in regarding a set list. We could learn a bunch of simple three chord standards sort of like the original version and call it good, or smugly personalize them into a barely recognizable jam band version, but we instead choose to take on classic songs that are perhaps more ambitious than some and work on them until we have them down cold. This is our way of paying homage to what we all believe are some of the greatest rock songs ever written. This means each individual spends time doing their homework; learning all the nuances of their part, and then hours spent putting it together in group rehearsal. This includes four and five part vocal harmonies. It takes a bit more attention to work up "Never Been Any Reason" (Head East) than it does to work up "Tush", but it is more satisfying for us to bring something different than the norm. We also record every performance and review to fix any errors we might have committed before we play next. It is all about attention to detail. We feel the material we play and our goal to compress the feel of an Arena Rock show into whatever venue we play are the two key things that set us apart from most other bands in our market. The best thing about being in a band is that you can connect with people on a very basic level. Music is an integral part of everyone's life. People hear songs from their past and remember what they were doing, where they were, who they were with when they first heard that song. Many people try to guess the artist's names when they hear a long lost tune. As a performer you have the opportunity to help people go back to a place in their past and recall happier, simpler times or strong sentimental memories. Sometimes as a player you even get goosebumps yourself, the feeling is so visceral when you really get into a song or sense your customers feeling it. There can be an awesome sense of communion when the dance floor is packed or people are grooving and singing along at their tables. But most rewarding part of this or any job are the relationships gained. We all have developed strong friendships with one another as well as venues with whom we work and people who come out to shows. These relationships are valuable beyond any material compensation to us all.
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FAQs

  • What advice would you give a customer looking to hire a provider in your area of work?

    Make sure you know what kind of music the band plays and if they will let you use their PA for your announcements and music outside of the band's performance. Will the band learn songs they don't already do for your specific event? Many bands will provide a set list as well as recordings of performances for you to review before you hire them. Many bands also have referrals and references from venues they have played. You should also know what kind of electrical needs the band has and if they have any lights or video that goes with their performance.

  • What questions should customers think through before talking to professionals about their project?

    Even though it results in considerable extra work and expense on the part of the band, we believe in bringing full PA and lights as well as a tech to every performance. We also have taken innovative steps to control "stage volume" so that the sound tech has full control of the band from the front of house area. This allows for a full sound at a much lower volume if needed, as the instruments on stage are not projecting into the audience from the stage, only from the PA speakers. We have played quietly enough to hear people speaking (not shouting) at tables close to the stage. This does not mean we cannot crank it up if the need arises; just ask! (and hold on tight) We have done the production at the Winfest outdoor festival the last two years and received huge compliments from the other bands and festival attendees. We have played numerous outdoor festivals with venue supplied professional PA and production that was not as good as what we own and use. From the standpoint of musicianship we are pleased to have assembled a group in which each individual is more concerned with how to best contribute to the band in full rather than how much their individual talents get showcased.