FAQs
- What should the customer know about your pricing (e.g., discounts, fees)?
I charge a simple hourly rate for one-time meetings, based upon whether a substantial drive is necessary. If we work at my residence in Hawaii Kai, I discount that rate because it saves me travel time. Tutoring or mentoring done in my condominium lobby (ample guest parking; comfortable, quiet environment; WiFi-enabled) has no minimum time set. If we meet in a mutually convenient location (Kahala Mall or Ala Moana; libraries in Aina Haina/Kaimuki/S. King St./Kailua; UH campus, community centers; Starbucks coffee shops, etc.) I require a two-hour minimum, but do not charge for travel time. Just work time. I do not charge extra if we go a little overtime. If a regular tutorial program is set up to assist an elementary, junior high, or high school student-- such as once a week-- I work with parents to make it affordable. If I am asked to ghostwrite or provide ongoing critique/consultation or editorial services, I prefer to know the scope of work up front (e.g., memoirs, novel manuscript, screenplay) and negotiate a flat fee. Often this collaboration can be done online via Skype or Google Hangouts, with occasional face-to-face meetings in person. As a rule of thumb, I try to be flexible in terms of travel, meeting locations, and the fees for my services. If you have a hardship, we can work something out.
- What education and/or training do you have that relates to your work?
Staying on top of what's fashionable in literary arts is a little different than staying on top of the federal income tax code or the latest real estate laws. Even so, I constantly keep my thumb on the pulse of what's trending in the writing world. I do this by: reading the latest trade publications; watching live webinars; subscribing to live podcasts; and attending expos, conferences, film festivals, and other trade events on the Mainland. Additionally, I work with industry pros at entertainment law firms and major film and television studios. I associate frequently with top coverage consultants and production company executives. Networking is key, and I am involved on a daily basis with members of advanced writing communities. All of my professional affiliations are current and available upon request.
- How did you get started doing this type of work?
I did not choose writing as a profession. It chose me.