1. No results to show.

Reggie Herold - Acting Coach

Contact for price

Acting venue(s)
Acting goal(s)
Sorry this pro can’t do your job, but we know other pros who can. Check them out
Projects and media
Projects and media
About
I'm a fully trained professional actor, signed with top New York agencies, with experience working on television, film, and theater (and musical theater!). As an actor, I've worked with stars like Freddie Highmore and Daniel Dae Kim, and studied under legends like Bruce McCarty and Suzanne Esper. As a teacher, I bring all of that experience to the table, to help you take your acting to the next level.
Overview

Background checked

1 employee

2 years in business

Business hours

This pro hasn't listed their business hours.

Payment methods

This pro accepts payments via Apple Pay and Venmo.

Services offered
Acting venue(s)

Theater

Improv theater

Musical theater

Film

Level of experience

No experience

Beginner

Intermediate

Advanced

Acting goal(s)

To prepare for an audition

To build confidence

To explore as a hobby

To continue professional development

Reviews

Customers rated this pro highly for professionalism, value, and work quality.

5.0

3 reviews

5

100%

4

0%

3

0%

2

0%

1

0%


pro avatar
John B.

Mar 19, 2025

I know Reggie through mutual friends. I have done a few acting lessons with Reggie, and I already feel like I’ve made massive progress thanks to him. He is warm, kind, knowledgeable, and patient. I can’t recommend him enough!
pro avatar
Gray R.

1 month ago

Reggie is an absolute pro. He’s a bit younger than I am, so I was apprehensive about studying with him, but after a few lessons it’s clear he really knows his stuff. I was so impressed by how he tailors our lessons to my goals and what I want to work on - he seems to know how to tackle everything. Hugely recommended.
pro avatar
Kristine G.

1 month ago

Coaching with Reggie is an absolute must for every single audition I do. The difference between my audition tapes before and after are CRAZY - I’ve had people say my acting has improved drastically & audition tapes have too just from working with him - I coach with him every time!! Literally the best investment
Credentials
Background Check

Reginald Herold

FAQs

  • What is your typical process for working with a new customer?

    Every first lesson begins with a little "get to know you" session. I ask questions to get a sense of your level of experience and what your goals are -- but there's no gatekeeping here! I just want to get to know you, so we can make the most of our time. Once I've gotten a sense of your goals and background, I'll ask if you have a specific acting project, say a monologue or scene, that you'd like to work on. Maybe you're preparing for an audition, or you have a performance coming up! Or maybe you don't. Maybe you're here to work on your acting and you don't necessarily have any particular projects you're prepping. All good! I have more than fifty personally transcribed scenes in my files, from television and film and theater. After our introductions, I can pick a scene from my files, send it to you, and we can get right to work. Each scene file also includes notes written by me, to give you the background you need on the characters and context of the scene.

  • What education and/or training do you have that relates to your work?

    I have a degree in Performance from James Madison University, and completed the two year conservatory at New York City's William Esper Studio, training in the Meisner Technique.

  • What advice would you give a customer looking to hire a provider in your area of work?

    I got advice early on, when I started working as an actor, to look for coaches who were 1.) fully trained, 2.) always in continued training themselves and 3.) not horribly overbooked. The first two made immediate sense to me, but I remember questioning the third one. Why wouldn't I want a teacher who was teaching all the time? Then, I worked with a few coaches who were overbooked, and I realized that I wasn't getting their full attention. My growth wasn't important to them; the money was. To this end, I keep my client list fully manageable. I take notes during our lessons, I spend time after the lesson identifying areas of potential growth, and I tailor future lessons to the individual student.

  • Loading