Do you have a standard pricing system for your service? If so, please share the details here.
Video/film production is largely an a la carte system because the needs of every show are so varied. One production just needs a camera, tripod and lights while another needs the camera to move along a dolly track, or a car mount, or a camera crane, or to be mounted into a helicopter. Others require concept development and complete scripting. Still others require that custom sets be built in a studio, or that we hire a "name" actor as an on-camera spokesperson, or engage a composer and a band or orchestra to create a custom music score. Prices also vary depending on where in the country (or the world!) we need to shoot the project. The best approach is usually to get a rough idea of the client's available budget and then work on ways to stretch it to get the best possible "bang for the buck."
What types of customers have you worked with?
We do a mix of work ranging from corporate industrial to training to broadcast. Common types of projects are the documentary-style production blending interviews and video footage with graphics and a music score to create the finished piece. Lately we've also done a lot of multi-camera talk-show-style work where experts on a given topic converse on a talk-show set and the audience learns by watching the finished piece (some even include a quiz or exam after the video).
Describe a recent project you are fond of. How long did it take?
Although a lot of what we do is video, we've also nationally syndicated an annual ten-hour Christmas radio special hosted by broadcast veteran Wink Martindale. The show has won a number of awards since it started airing a couple of years ago, and Wink has said in interviews how extremely proud he is of it. Wink was a national radio personality when I was in diapers, so to get rave reviews of our work from HIM is something we feel very good about.