FAQs
- What should the customer know about your pricing (e.g., discounts, fees)?
I typically work on either an hourly rate or a per-song/project basis, depending on scope. For larger projects I’m happy to offer block booking rates to keep things efficient and cost-effective. Additional fees only arise if we bring in session musicians or external specialists, which I always discuss in advance. My goal is clarity, flexibility, and making sure the structure works for the project.
- What is your typical process for working with a new customer?
I begin with a short phone or video conversation to understand your goals and musical direction. If it feels like a good fit, I invite you to visit the studio for a free consultation so we can outline a clear plan. From there, we schedule the first session and begin building the project step by step, maintaining open communication throughout.
- What education and/or training do you have that relates to your work?
I began playing violin at age three and trained at Trinity College of Music in London, studying singing, violin and harmony. That foundation gave me strong classical grounding alongside extensive work in rock and contemporary music. Professionally, I toured and recorded with Sia and have worked extensively in film music, collaborating with composers including Hans Zimmer, Klaus Badelt and Harry Gregson-Williams.I worked extensively in film music and have collaborated with some of the greats including, Hans Zimmer, Klaus Badelt and Harry Gregson-Williams